Occasionally accentuated with a female soloist or a soft choir, you can already get a sense of the repetitiveness of the score. On the album, the first few cues ("Tennessee," "Brothers," "And Then I Kissed Him," and "I Will Come Back") all sound alikemore romance Sensibility of pushing just the right buttons to be effective. Romantic cues owe much to Ennio Morricone and John Barry, but still retain the Zimmer By the time the second hour rolled around, anytime something "dramatic" appeared on screen, the music would come flowing forthit got to be quite annoying after a while. Consisting primarily of two major "love" themes, both are played out with strings and piano, and while effective in creating an emotion, the score (as heard in the film) suffers from repetitive-stress syndrome. The score, provided by Hans Zimmer (and five other people, based on the CD's liner notes) is a whole other can of worms. Those criticisms aside, the film did manage to provide a rather interesting recreation of the attack on Pearl Harbor, even if it massaged history just a tad. Even the dialogue seemed unoriginal and forced. The storyline and characters are cookie-cutter cliches, and never really have any true character growth. First of all, the 3-hour film is just too long the story it was telling needed at most about 2-hours.
Focusing on a love triangle (and I mean really really focusing) between two best-friend pilots (Ben Affleck and Josh Hartnett) and a nurse (Kate Beckinsale) set against the backdrop of the Japanese attack of Pearl Harbor, the film suffered from a few ailments. That was the day I had the "pleasure" of seeing what will most likely be the top summer film, Pearl Harbor.
I don't refer to Decemrather I refer to May 22, 2001.
0 kommentar(er)
